Damien said:
Swords should be Heir-looms - passed down the generations because they last and really can take a beating that would save your life.
This is actually a myth. Swords really don't last all that long if used heavily. Even the best sword is going to suffer nicks, notches, and rolled edges. Shaving these off slowly decreases the width of the blade, and its integrity. Over time, the sword will become less and less useful. Likewise, it becomes more and more likely to suffer microscopic stress fractures that can result in the blade breaking. While the 'sword of my father's father's father' is a nice piece of fantasy, it's not practical for a war-weapon. This would be more common in decorative/dress weapons that saw little real combat.
Oakeshott said the adverage sword had 300 years, or three MAJOR battles in it, whichever came first. There are however exceptions. There was a German Kazenbalger, which was found to be a rehilted sword from around 800-900 years prior to the Katzenbalger hilt design. During the Dark Ages, swords were heirlooms, but only really nice ones. If you take care of a sword, it will last a long time. If you abuse it, it won't.
However, sword on sword contact was actually rather common for all the periods we have a lot of information on the techniques of. MSI-33 shows a great deal of it. ARMA has drastically overestmated the fragility of swords. That's not to say they are super tough, but rather that there are about 15 million designs, and some styles DO show hard blocks. IE, In this game, the "Over the head block" is a real position known as the St. George guard in English swordplay. The proper responce to it (I'm told, I'm only starting out in English styles) is to let your sword slide off, and hit him in the face.
But he will KNOW you plan to do that, and immediately after contact will move sideways and try to slide into you, so you can't slide off, turing his point into your face right after you've been stopped.
A hard block amoung those who are better at the English styles then I, is called a 'stop.' the idea being to stop the other sword, then attack before he can get energy back into his blade, and we have rather speicific information that it WAS done with the edge of the sword, near the hilt, with the baskethilt turned into the blow.
In German Swordplay on the other hand, when you have sword on sword contact, when you look at the angles involved, it's just not an issue.
The important thing to remember here is that swords SLIDE a lot.
I disagree. Attacking the opponent's weapon is known as parrying, and is quite effective, both at preventing a blow from landing, and at binding and gaining control of opponent's blade. By doing so, one effectively siezes the initiative.
PErsonally, I'd like to see the term 'parry' go away altogether, as it's just to vague in the modern world. I perfer the terms 'bind' 'setting aside' 'stop' and so fourth. These terms tell you right out what is being done, whereas parry seems to be used for anything the least bit defencive.
You're both right. Parrying a weapon was a relatively common practice.
Quite so. You bind swords to control him, and hit him at the same time.
But as it pertains to film and television, well - it's wrong. Firstly, the wide sweeping arcs that end in two weapons slamming headlong into each other is complete fantasy.
Heh. Doebringer talked about this sort of thing on the stage, and he said "And for this, they recieve praise from the ignorant."
A proper parry 'sets aside' the opponent's weapon when he's on the attack already.
Or you attack from an angle which nullifies anything he can do from his position.... of course, that's not really a parry, though it might end up as one... depending on the definition of 'parry.'
You don't actively attempt to smack your weapon against his while he's on the defensive.
Unless you are trying to control him prior to the killing. Like in MSI-33 when you fall under the sword, and you do this by binding sword, (Then making a follow up choice) which might lead to say, pushing his sword way down, then binding his hands with your buckler, THEN hitting him in the head.